ANNOUNCEMENTS

VIRTUALLY HERS came out Oct. 2009. Get it at SAMHAIN Publishing. VIRTUALLY ONE coming soon.
VIRTUALLY HERS OUT IN PRINT AUG 2010.

I've also made available at Amazon BIG BAD WOLF a COS Commando book, an earlier manuscript about Killian Nicholas Langley. You can sample the first five chapters right here. EBOOK now available for KINDLE, NOOK, and at SMASHWORDS for $4.99.

I appreciate all your emails. If you'd like to buy Virtually His NEW, please contact me. Thank you.



CLICK:

Big Bad Wolf Author's Note/CH. 1

Big Bad Wolf CH. 2

Big Bad Wolf Ch. 3

(more chapters on left side bar below)



To read excerpts of VIRTUALLY HERS, scroll down & click on the links on the right.



EMAIL ME AT JENN AT GENNITA-LOW DOT COM


VIRTUALLY HERS UPDATE

VIRTUALLY HERS OUT IN PRINT AUG 2010! Discounted at Amazon!

To read & comment on the poll (left column), click HERE. Thank you for all the wonderful posts there!

UPDATE: I SOLD THE SERIES TO SAMHAIN!

Here's your UBER VIRTUALLY HERS YAK THREAD!


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Showing posts with label book business. Show all posts
Showing posts with label book business. Show all posts

Monday, July 18, 2011

Coupon Giveaway

Sorry for the weeklong silence but I've incredibly busy with roofing and writing. Roof advice for those looking to buy one of those old Spanish "castle" roof-lines in FL. Beautiful and romantic to look at, for sure, but hold on to your money! The flat roofs are going to be a money pit, especially if the turret (parapet) walls that you fell in love with had been done wrong and everything underneath your beautiful stucco on top of the roof, where you can't see, is rotten.

As for writing, I've been immersed in:
1) trying to plot out a short, short, short story for the Seal of my Dreams anthology (www.sealofmydreams.com) which has been a challenging process, to say the least, because it's going to be a tight story of thirty or under pages. Not many words to work out a believable romance! There are a bunch of excellent authors in this anthology (over 12!) so I need to get my creative mojo to find something unique. With so many contributors and one theme and length, I'm sure the universal consciousness is going to spit out several "same scenario, different twist" stories, and I'm trying not to do that. So...I put the thinking cap on Muse and she...well, gah, she just thinks calories are needed, if you know what I mean.

2) I've been busy formatting The Protector, The Hunter, and The Sleeper my three SEAL books from the Crossfire trilogy to which the rights have been reverted back to me.  It's taking longer than I thought because it's all a learning process for me as well as an expensive one. More on this in another post this week.

3) MikiSquirrel's book! It's ready but I need to figure things out for Amazon's do-it-yourself arm, Createspace, like how to get illustrations to come out right and fix dpis on photos. It's quite a little project for such a small book (30 pages)! It's very different from formatting a regular manuscript with type words and yes, frustrating too, if you're not a techy person. I'm not a techy person, so I'm going to need help on this first try with children's books.

And now, for having patiently read through the whole post ;-), I'm announcing a coupon giveaway. I have a eHarlequin coupon for 30% off any books on their site. One commenter will get the code.

Please comment whether you'd be interested in a children's book about a squirrel when it comes out in a few weeks :-) and what price range would a 30 page 7X9 book should, in your opinion, cost. See, such an easy contest!

GIVEAWAY CLOSES END OF THIS WEEK.

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Wednesday, July 06, 2011

Writers: Quick Advice From A Long-Time Self-Employer

At RWA this year, the new religion was "self-publishing." Whether it was one's back list of books, one's book under the bed, or one's plan to release some book not popular with buying editors right now, it's "I'm going to get it out on Kindle and the Nook." There was a palpable air of excitement among the authors, that they now have some kind of new power, the ability to get their books over some magical hurdle.

I'm one of the authors who have already started this journey--have done so the last few years since the 2007 Walmart debacle, actually--and there are many things I've learned that these authors, especially those not savvy with online stuff other than hit the "buy" button, are going to stumble upon before they get their books out into the market. First, it's not just a magic button. Nothing ever is. It's really working for oneself, like owning one's roofing company, for instance, and the latter isn't a walk in the ballpark.

Yes, being a published author is essentially being self-employed, anyway, but being one's own publisher is actually a second job on top of that. Unless, of course, you have a lot of capital and can hire editors, copy-editors, book packagers and formatters, etc. etc.  But would it be called self-publishing then?

And even if you do have the cash to do that, you must still understand how it all works, that you aren't just paying somebody to take care of the work and hope that the end product will come out looking professional; this is a NEW BUSINESS and there are scammers out there, wanting to make a fast buck. There are also people out there who will give you a book that looks like you hired a 5 year-old to do all the editing and cover art. So be careful, authors.

This is the time to research like you did before you were publishing, reading up on everything you needed to know about approaching publishing houses and editors and formatting manuscripts. Your savvy ebook readers expect professional looking ebooks. Your readers paying the extra money for Print-On-Demand expect a professional looking cover--front and back, with a well-edited story between them. Anything less will just defeat the purpose of your goal.

Why am I talking about it? It's none of my business what you do with your writing, right? Not exactly true.

First, it pains me to listen to many author-friends, many of whom have decades of experience over me regarding contracts and the book business, sound so clueless about the self-publishing. E-book publishing and self-publishing are different things, for example. Kindle is NOT a format. Hiring your nephew who is computer-smart for $30 is NOT a good idea, I'm sorry; it doesn't matter how good he is at repairing your computer or how smart he is at his techy computer job. Unless he has read your book, many other ebooks, actually has some experience with romance covers and getting all the formats done correctly for different e-readers, a $30 job is what you're going to get. I could go on and on about the so many more wrong assumptions.

Second, I want this new venture to succeed, for me and my friends. I don't want it to get a bad rap that readers get wary about buying self-publishing books. As more and more writers and "writers" jump on the bandwagon, there's sure to be more and more dissatisfied rumblings and complaints from readers. Remember, more than ever before, if you self-published, your book is YOU and YOU are your book. You can't blame the publisher any more ;-). Unless, of course, you sign, hopefully not in blood, with Amazon, hahaha.

More on this coming--the other self-employment job is calling.

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Sunday, May 08, 2011

Book Bithneth

Connie Brockway, who had earlier announced that she'd self-publish sequels to her novels, As You Desire as well as All Through The Night, has changed her mind and signed an exclusive deal with Amazon (yes, that Amazon). She's the debut author for Amazon's new romance imprint, Montlake, so these books will be available through Kindle and of course, print books through Amazon only.

There are many questions swirling around the Internet about this piece of news, including distribution. Ms. Brockway has said that Amazon plans to make these books available at brick and mortar stores. This is good news for those readers who don't own a Kindle and don't buy online.

Some international readers won't be able to buy the books without shelling out some big bucks, though. Amazon's international shipping charges can make a novel costs $30! And Kindle apps DO NOT WORK for international readers unless they jump through holes like pretending to have a fake US address and a prepaid VISA. It's a pain in the ass to just get a book. One of my overseas friends pointed out it'd be much easier to download a pirated copy. Sad, but true.

What does this mean to the book business? Oh, A LOT. Will Amazon join RWA (hahahaha)? Will authors published solely at Amazon be allowed into the RWA? Right now, I suspect not, but it can't be easy to be on the RWA (or any writing organization) Board of Directors these days as they sort through all the policies and rules that helped and protect its members and figure out a way to stay on top of things.

I'm looking into this avenue as an option too. Why not? I'm trying to make a living here and if Amazon can sell more books for me (and give me more money than a publisher), it can't be bad. The trick is to read all contracts closely, so that you aren't locked in forever and ever.  All authors these days who are selling their works have to be even savvier and more careful these days in protecting their works and rights.

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Thursday, April 28, 2011

A Writer's World

Barbara Vey, Publishers Weekly blogger, wrote a lovely tribute to Beverly Barton, who suddenly passed away last week:
Beyond Her Book

**********************

In this crazy, frenzied world, we have many ways to entertain ourselves, but to me, none is more enriching and thought-provoking than a book. Many of us have stories to tell, but not all of us could sit down and write the book, from start to finish, much less, in Ms Barton's case, 75 completed novels that are published.

Writers share their world and bring imagination to life within a reader's mind--the characters, their action, the drama become real in our heads during the hours we're immersed in the reading. When a writer dies, the legacy of words remain, still holding power to involve more readers in the worlds inside each book.

Today I walked up and down the aisles of my friend's book store. She sells used and new books and in the years since I first walked in, I've found many new authors down these aisles. Many of them don't even write any more, some have passed on and some are doing other things now, but their books, with their worlds inside the pages, still beckon brightly from the shelves.

It also always amazes me that I can wander these aisles and now call many of those names on the book spines friends and acquaintances, that I've actually met these writers--story-spinners who wrote book after book after book. Their rich imagination and their tenacious ability to go through the writing process continue to inspire and awe me because I know how much work it is and how confusing it could be to juggle books and another job (or two!).

We writers all aspire to be a Beverly Barton. To be able to make a living from writing the books we love. To have passionate readers who always want more. And lastly, to get better at our craft every year.

Yes, this post is a bit melancholic, I know, but I've been feeling as if I've lost myself for a while now. When I'm at the conventions, it's always sell-sell-sell and what's selling and what's not, and when I'm home, it's always billsbillsbillsWrite...no can't, must pay bills.... and then of course, the guilt settles back in because I'm not writing quickly any more, and you know how it is when you're late and you know that a whole crowd of people are waiting for you...you feel horrible and hopelessly out-of-control, and your excuse sounds weak as hell (Oh, I have my other job to do, sorry!).

So. Not as glamorous as you thought, eh? :-)  Of course, the top 5 percent are* glamorous, I assure you. I've met them and they're hard-working too; only, they can afford to be late, nyah nyah.


When I'm feeling like this, I tend to read a lot. Because, heck, if I can't write my own world, I'll play in my friends', you know?

So, this is my very long-winded way to get you to tell me what you're reading right now :-).

************************

I haven't forgotten about the Ellora's Cave Calendar winner.  I'll put all the names in a hat and let Demon Dog pick one this weekend.




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Tuesday, February 15, 2011

Barnes & Noble and Book Business

I went to the DC area to visit family for Chinese New Year celebrations.  We went on a side trip to Inner Harbor at Baltimore, MD.  While they explored the ships and aquarium, I had a grand time checking out the Barnes and Noble there.


Converted from the old power plant, the massive building was impressive at first sight, with the Hard Rock Cafe guitar logo stationed right above.  I just love the way the shelves were decorated around the old smoke stacks (I think they were the original ones) and there were so many books!  I'm happy to say that the romance section was well-represented and not hiding in some corner, like in most of BN box-like buildings nowadays.

Have you ever been there?  I believe the old style big book stores are going away, especially with Borders heading for bankruptcy. BN is closing some of its buildings and concentration on their online presence, especially now that its Nook and self-publishing division, Pubit, are becoming more popular with consumers.

Personally, I do think that, in spite of the rising popularity of ebooks, there is still hope for bookstores, especially new-and-used independents that had been going through some tough years.  There are still readers who love browsing for paperbacks and used books; also, many still love the fact that, unlike ebooks, which aren't transferable, their books are actually theirs to resell and exchanged, if they wanted.

My friend's new-and-used bookstore is doing well.  Although the majority of her readers are older (being in the Sunshine State), she's seeing an influx of younger readers, those who had graduated from Harry Potter and Twilight, looking for new YA books.  One of the ways I help my friend is to introduce her to new authors from books I've gotten from RWA, so she could order the ones she feels her readers would enjoy.  I'm surprised and happy at the new younger readers and during my convention visits, I shall look for YA books for them.

My friend has always encouraged me to open a similar bookstore like hers for my retirement (yeah, rooferauthor here is getting old) and I've always resisted because of my schedule and also seeing so many small bookstores going out of business.  However, I'm beginning to think that there is a way to make a living with a new-and-used independent bookstore, with the right location and small overhead. 

Many readers don't hoard books like I do (at least, that's how I see it, from looking at my friend's customers); they buy new books and return them for credit to get the back list of authors they enjoy.  One thing that doesn't change, though--they're all avid readers. They drop by at the store with one or two loads of books and leave with that many.  Now that there are younger readers doing the same, there's hope for the business!

So maybe one day, and it's not as far off as I'd like, you'll find the rooferauthor is now rooferbookstoreownerauthor. :-P  As some of you know, I'm a packrat, with multiples of many favorite things.  It'll be interesting to see how hard it is to part with some of my collection!

Do you have a historic or interesting book store (BN or independent) in your area? Any bookstore owners out there?

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Tuesday, September 21, 2010

Would It Still Be Self-Pub If You Need A Techie Assistant?

I just received my rights back to The Protector and Sleeping With The Agent.  I'd love to have the time to format them to sell them as edownloads at Smashwords, which, from my research, makes ebooks readable on all e-reading devices, including the Kindle, Sony, and Android.  Also, with the right formatting and following of instructions, these titles would also be available at mainstream sites, such as Barnes and Noble (and, very soon, Amazon too, they claimed).

It's not just the formatting part.  I'll need new covers (they belong to the old publisher) and new blurbs.  I want to change the title of Sleeping With The Agent, which I'd been against since the beginning.  I suppose I could also do the same for the novella, The Game, and expand on it too since I could make it longer!  And oh, Big Bad Wolf, too, since I wouldn't have to figure out Kindle's CSS instructions all by myself.

My dream Techie Assistant would do all this for me for a reasonable part-time fee ;-).  Wouldn't that be nice?

Yes, it's a brave new world out there for authors.  Maybe I'll call it Steamy-Print Punk Era.

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Monday, August 23, 2010

Continuing Education For Writers

Instead of doing what I want (writing), I had to spend much of the last three days doing my must-have-or-they-suspend-your-license continuing education online classes as a certified roofing contractor.  It's required every two years and of course, costs money.  It's mostly the same stuff, with some additional reading material on interesting (NOT) subjects like fungal growth and mewdew (isn't that a lovely word for very ugly fuzz?) in houses or the great new thing about going green (Oh yeah, many of my customers have the $$$ to install solar energy).  These things can* be googled, if the contractor were so inclined to expand his business into inspections and stuff, but noooo, somebody somewhere thought it was an excellent way to add to the governing body's coffers to charge people for extra knowledge they thought they might need.

Not saying continuing education is full of shit.

Okay, I am.  Pfffffffft.

But I won't bore you with the details.  I was just thinking, during the long, long hours of sitting through through PgRefresh-to-pretend-I'm-reading-so-they-don't-logged-me-off, what if there was continuing education for writers too?

How horrible would that be?  Or maybe, it WOULD be a good thing?

Most writers don't know how to run a self-business, don't understand the basics of taxkeeping for self-employment, and some don't even really know how the book business is run today.  I know, I know, we are all about our books, the business be damned, but if we're to know how to live with our writers' earnings, we shouldn't be just thinking about the book but our livelihood, right?

I can think of an excellent class already.  ROYALTY STATEMENTS.  How many of us can actually make heads or tails of that lovely bunch of numbers sent our way every six months?  Sure, we could sort of understand it, but do we really, really get the whole picture? I mean, my royalty statements from MIRA for Virtually His showed pretty decent numbers to me, and I was thinking that I was doing well, and then WHAM! My editor informed me that my numbers were bad because Walmart didn't stock my book and they were dropping the series. Thought about being blindsided.  AND, I'm pride myself as a pretty darn good at self-employment stuff.

So wouldn't it be cool if some BIG LIST and midlist authors gave copies of their royalty statements of a book through a couple of years, anonymously, with names and titles all blacked out, and during a workshop somebody smart and knowledgeable lead us stupid authors through the numbers? I know I'd attend that one.

I know RWA already has workshops for business topics, but not every writer belongs to RWA.  And some of the subject matters are pretty basic for a published author.

I suppose, if one really wanted to, one could educate oneself in anything.  As a roofer, though, I'm always amazed at how people think they could roof or know about it just because they read two things on roofing on Google.  Because Googling does not make one a real expert, you know that, don't you?

So, Googling all the blog topics about e-rights and e-publishing might give one a general view of the business, but it's not the same as talking to some e-authors who have hands-on experience.  When I attend a workshop, though, most of the talking goes round and round about the publishing schedule, what the editors want and vague references to payments. 

The questions are from novices and yes, that's fine, but during a continuing education class, the "teacher" could focus a step further--such as, how does one make money writing e-books? What are the formats all about anyway? Simple questions, to be sure, but you'd be surprised at how confused some people are about these things.  RWA workshops do focus on some of these areas, but the questions invariably return to "me, me, me," which isn't surprising because, of course the writer in you is just interested in the end-product.  That's why continuing education in intermediate topics is a must, I say.

How to implement this? LOL. I have no idea. The more rules, the less the creative personality likes it. But sometimes, and especially now, I suspect--at the cusp of big changes in the industry--it's necessary to know where one stands.

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Monday, May 17, 2010

Mammoth Book of Spec. Ops Romance and Mother of all Mammoth News

For those who enjoy novellas, the Mammoth Book of Spec. Ops Romance is now available in print and Kindle format. You can purchase it at Amazon, the Book Depository, and other online book stores. The Book Depository, by the way, has free shipping INTERNATIONALLY.

My contribution to this anthology is titled The Game and I'm considering lengthening it into a book because as all novellas go, the ending is always just the beginning ;-). Maybe I'll post part of the first chapter tomorrow so you can have a preview. The story is just three chapters long, so yeah, novellas can be frustrating reading for some. And tough to write, by the way.

Other interesting publishing news, that is not mine, but has caught my interest nonetheless because of its possibilities:

J.A. Konrath, author of the Jack Daniels mystery series, has a press release. He just sold an exclusive print book to Amazon for release. Yeah, THAT Amazon.


AmazonEncore to Publish Bestselling Author J.A. Konrath’s Upcoming Book

Amazon’s publishing imprint to release the next book in J.A. Konrath’s Jacqueline “Jack” Daniels series, “Shaken.”

SEATTLE—May 17, 2010—Amazon.com, Inc. (NASDAQ: AMZN) today announced that AmazonEncore, Amazon’s publishing imprint, will release the newest book in bestselling author J.A. Konrath’s Jacqueline “Jack” Daniels series, “Shaken.” The AmazonEncore Kindle edition of “Shaken” will be available in the Kindle Store www.amazon.com/kindlestorein October, and the print version of the book will be available in February 2011. For more information on AmazonEncore and upcoming titles, visit www.amazon.com/encore.

Konrath wrote an answer-and-question blog post today about this:

A Newbie's Guide To Publishing

This is BIG news, especially for midlist authors like me. Publishers have been dropping many in their midlist stable this past year and the half, leaving many of my friends with uncertain futures or, at least, a canceled series (like me) hanging midair. Many writers have to changed genre to start afresh.

This news give some of us hope that we could still write the series we want and make a living off our chosen career. Of course, I have no idea what the contract looks like so one has to research this carefully. But still, J. A. Konrath, dude. Who's next?



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Tuesday, May 04, 2010

Overheard at RT: Man said to wife, "I can't carry any more bks. You've bought enough!"

Bear with my pictureless RT reports. My brain, it hurts.

I'm still recovering from driving all the way home from Ohio. 1000 miles. 500 of which seemed to be in a perpetual rainstorm. Right now, all I really want to do is sit down and stare at the bottom of my coffee cup, but bills, blog, and work are demanding me to come alive again.

I know many of you just load up the pics and that's it, but I've deliberately set my camera on photo-sized quality because I'm old-fashioned enough to think I'd actually print these out one day--you know, on Real Kodak paper. Ridiculous, I know. Noone does that any more. But anyway, I did, and so that means I have to resize every pic I post and loading them one by one takes enough time to make my lazy butt squirm in protest.

I love updating my blog, but loading pics is apparently too tough for the brain right now.

So, today I want to talk about last Saturday, the Giant Booksigning Event. It's a marvelous event. Here is a pic I borrowed from the Ninja Photographer aka Morgan Doremus, the Romantic Times Book Reviews Web Editor. See the crowd?



I love the Booksigning the most because this captures readers' love of my genre, romance. Their passion is talked about by other genres' writers in their blogs all the time:

***Readers walking around with bags on rollers to BUY books

***Fans holding a list and bringing their husbands along to carry their buys

***Booksellers dropping by to say hi to their favorite authors

***Happy reunions of readers who are on the authors' newsletters or forums

***The instant recognition of covers and titles of books and lines forming around a popular author

(Edited to add. I forgot to mention the number standing in line for J. R. Ward and Rachelle Mead! Readers were given a # and they were called to the author in blocks of ten so they could browse other authors' tables instead of waiting for 3 hours. Great system, by the way. Anyway, at one point, the announcer was calling out for #901-910, and I was like, Hholey Brothahhood Bathman! Mead's were in the 400s or so. Kathy Love, my signing partner, and I just shook our heads in awe)

Check out Alexandra Sokoloff's blog about her RT experience. She is one of many non-romance authors who has been spreading the best-kept secret about romance readers to her fellow authors. Others who are now regular attendees are F. Paul Wilson, Barry Eisler, Joe Konrath, Robert Gregory Browne and this year's virgin, Brett Battles. They love all the attention and plan to come back.

I love my readers so much. They dropprf by to visit me even when I hadn't any new books to sell. Some of them sent friends to come by, to make sure I was doing okay, and even got their friends to buy one of my books (thank you, Wendy Keel, Leiha Mann, and Leslie A. for thinking about me). Some of them drove hundreds of miles to come to SEE ME (thank you, Mo from DC, Jane from Indiana). Some of them came to find out when Virtually Hers was coming out in print. I was happy to have an answer for them: August! I was also very happy to get readers who attended my workshops/chats who were entertained by me enough to want to try my books ;-). Thank you to them too, and I hope they enjoy my stories.

Readers make the convention, and indeed, romance readers are the best readers in the world, buying and reading across all the genres. It's such a pleasure to meet them at RT and I want to thank every one who took time to attend part or all of the convention.

A convention is also nothing without its attendees poking a little--and having a good time doing it--fun at themselves and their favorite genre. The SF people do it with their Trekkies and Star War maniacs. Thrillerfest authors and readers have their parties too. For RT, it's the Romance Model Competition, you know, the one that launched John de SalvoSalivate onto every cover of every book for a whole decade. And let's not forget the beautiful and sultry Rob Ashton; I still have many pictures of that man.

So, in the spirit of fun, many attend. And even though many make fun of the idea of a "mangeant," (as twitterers were calling it), the contestants every year are serious about the idea of launching a career through a win, or at least, through exposure to the book industry people. Every one of them has hopes of landing on TV, like that reality show with Fabio, who invited Mr. Romance 2001 Tony Ranaldo (one of my fave winners). Some do hold the mistaken belief that authors have power over their covers and many a time, I have had to hold back my amusement at the model's earnestness in trying to persuade me and my fellow authors to give them a chance. Hey, we're all noobs at one time or another--tell me one freshman writer who didn't think talking to an author would help her work get read faster.

Anyway, this is the male models' "break," and many of the readers have a good time having the role reversed. We are so used to having female strippers at male-dominated conventions and male-themed events. RT is a female-dominated convention, and a romance clinch cover--that thing many profess to hate--is an important part of the industry. I know some are cringe-worthy, but I have seen and loved many good sexy ones.

I thought this year's mangeant was a lot less hysterical than previous years. Heck, the contestants hugged and teared up about being a daddy and being so loved by their supporters. In previous years, some of them had really beefed up and acted out a role, taking their time to even pose like a cover. I even recall some form of elaborate dance/pose routine that had the contestants moving around a work zone stage set, dressed up as construction workers (Chris Winters won that year). This year was more relaxed, with each man escorting a Dorchester (sponsor) author to a table, as if on a date, and answering a question or two.

One particular "date" scene gave me a good chuckle. Previously, Mark Johnson (Mr. Romance 1996, popular RT emcee and volunteer) had played a joke by pretending to be an author (he had a hood on) and asking a suggestive question, "What would happen if you and I were trapped on the 7th floor of an elevator?" over and over, trying to embarrass the poor model. Anyway, he was properly scolded and the real author showed up, and her question (all from memory, so not quoted directly) was, "I'm old enough to be your older, ahem, sister, and my question is, how would you seduce an older woman?" The poor contestant squirmed in his seat for a few moments (the author was actually more around his mom's age), and as the audience giggled, he finally said, "I'd start in the elevator." At which the whole crowd roared and even Mark Johnson had to stroll back to the table to highfive the dude. If I could have voted, I'd have given the model mine right there and then. I do like a quick-thinking man ;-).

The winner was Jamie Ungaro. He's a shy young man who had worked hard all week to garner the readers votes. I'm sure he's going to enjoy his winnings--$1200 cash, a paid-for trip to NYC for a cover shoot for Dorchester, and starring in a movie trailer for the same book. While he was taking his walk down the stage, being photographed and showered with shouts of congrats and approval, I overheard him saying while shaking his head, "This is ridiculous!" Which it was. But it was all good funning. Most of us had a good time enjoying the show because yeah, it was ridiculously entertaining. And yeah, like it or not, a few of these young men will grow up to be on many of our romance covers. And no, I'm not ashame to admit that I know more about the careers of Mr. Romance winners than I should; some of them have become my good buddies through the years.

Besides the fun of meeting readers and watching Mr. Romance 2010, I also attend for the networking opportunities. I've saved the best news for last, and I hope it will have a happy ending. An editor who attended my workshops came over to talk to me and asked whether I'd be interested in submitting a manuscript to her.

Hell. Yeah. :D

So, I'm going to take time this next week to polish up T and Diamond's story really, really well. Maybe they'll finally get an editor who will love them as much as you and I do. Wish me luck?

More later. Hope you're enjoying the non-pic reports.



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Sunday, May 02, 2010

Overheard at RT: Rob G. Browne to Brett Battles, "You parade around the room in your underwear anyway."

That was part of a very serious and intellectual conversation. Really. Brett insisted that, if I did quote Rob, I must also add that he was adamantly denying the fact that he PARADED.

The very popular vampire ball had many attendees parading in their best costumes, though. The turnout was fabulous and I'm always amazed at how elaborate the make-up and costumes were. I stood in line with Cindy Gerard beside a woman who gave us a detailed account of how she sewed her vampiress outfit from her old suede curtains. And how she stuffed the horns on her head. It was just simply amazing.

Heather Graham and gang did another of their crazy skits. This year it was Alice in Underland, and I'll never hear the word Twilight again without the image of F. Paul Wilson sauntering on stage in Edward makeup and wig. There was also a male Lady Gaga at the end of the play, the perfect guest for the Mad Hatter's Party indeed.

Workshop-wise, I had the bestest time captaining my second romantic suspense panels. My guests were Cindy Gerard, Ann Voss Peterson, Caridad Pineiro, Nina Bruhns, and Shiloh Walker. The ladies were wonderfully eloquent, talking about the perfect alpha hero. One of the fun questions was "How long and how many times a night?" ;-)

I also asked about the qualities of our heroine--what qualities do we writers give them to make them The Woman for our hero? Bruhns talked about strength; Peterson wanted her heroine to have the "heart of a warrior;" Walker liked her heroines to be capable and smart; and Pineiro agreed, adding that she and many readers didn't like the TSTL (too stupid to live) heroines, so she always try to avoid writing those. For myself, I said that I liked to give my heroines two things--a sense of humor, so she could laugh at that silly alpha male or coax him to laugh at himself too, and, she must pull one over her hero at least once in the story. I related the story of Marlena's Tweety Bird tattoo in Into Danger as an example. Got a good laugh out of that ;-).

The e-book signing, my very first, went well too. It was two hours long and newbie that I was, I managed to sell six CDs of Big Bad Wolf as well as two downloads of Virtually Hers. I was very happy to know many fans were waiting for the print copy of Virtually Hers (coming out in August) and all my homemade Jed-bookmarks were popular--all gone within an hour!

That's the report for now. It's time to pack and drive home, so posting will be sporadic for the next 20 hours. It's raining so think GOOD THOUGHTS FOR GENNITA, 'kay? I hate driving in the rain. The next report will be about Saturday's main event, the Booksigning, tales at the bar, esp. one about a potato, MR ROMANCE 2010, which some bloggers are calling the MANGEANT (heh), and the Dorchester Rock and Roll party. I'm sure you're all waiting breathlessly.

Again, photos when I get home (and after rest). My little puter isn't made for resizing. Can't wait to show you all the crazy costumes and happy faces at the convention!



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Thursday, March 25, 2010

Numbers

Many of us authors worry about their numbers. When Walmart decided not to distribute Virtually His, my numbers dropped by at least 35,000. Which was, you know, a big bomb in my career's living room.

I can name you a few authors who aren't worry about theirs, though. From PUBLISHERS WEEKLY:

Hardcover Bestsellers from 2009:

1. The Lost Symbol: A Novel. Dan Brown. Doubleday (5,543,643).

4. I, Alex Cross. James Patterson. Little, Brown (1,040,976).

7. Finger Lickin' Fifteen. Janet Evanovich. St. Martin's (977,178).

12. U Is for Undertow. Sue Grafton. Putnam (706,154).

13. The Scarpetta Factor. Patricia Cornwell. Putnam (705,000).

25. Dead and Gone: A Sookie Stackhouse Novel. Charlaine Harris. Ace (500,135).
26. Southern Lights: A Novel. Danielle Steel. Delacorte (497,140).

37. Kindred in Death. J.D. Robb. Putnam (315,000).

65. The Perfect Christmas. Debbie Macomber. Harlequin (200,227).

77. Sizzle: A Novel. Julie Garwood. Ballantine (182,010).

83. Divine Misdemeanors: A Novel. Laurell K. Hamilton. Ballantine (166,102).

106. Ice: A Novel. Linda Howard. Ballantine (138,126).

116. Lover Avenged: A Novel of the Black Dagger Brotherhood. J.R. Ward. NAL (125,126).

121. Dark Slayer. Christine Feehan. Berkley (121,082).

***

Mass Market (Paperback) sales 2009 II'm just picking a few, so these below aren't ranked):

Tribute. Nora Roberts. Rep. Jove. (1,250,361).

From Dead to Worse: A Sookie Stackhouse Novel. Charlaine Harris. Rep. Ace (877,000).

The Choice. Nicholas Sparks. Grand Central. (870,116).

Promises in Death. J.D. Robb. Rep. Berkley (635,372).

Salvation in Death. J.D. Robb. Rep. Berkley (631,019).

Dream Warrior. Sherrilyn Kenyon. Orig. St. Martin's (575,000).

Fearless Fourteen. Janet Evanovich. Rep. St. Martin's (1,200,000).

Nope, no Gennita Low, dammit ;-). The Dan Brown numbers boggle the brain, dudes. How many copies of The Da Vinci Code do you have in your home and puter?!!! I mean, it still sold 700,000+ in 2009!

There were multiple repeats of names, of course. Just look at all the Nora Roberts that hit the lists, both in hardcover, mass market, and trade paperbacks. It's like...Whoa. That's a one-woman powerhouse there.

The usual big names are all there: King, Koontz, Johansson, Macomber. Over and over. I think Charlaine Harris is on there with ten Sookie books. I'm sure the Stephanie Meyer Twilight series is on there somewhere, even though I couldn't see them.

I feel so lucky that I could actually talk to some of the above names at conferences and ask for advice; yes, they're friendly humans! And don't forget, Linda Howard told me last year that she loves my books :-D. I shall cherish that line and my "inability to speak anything other than gasp out a thank you" moment forever and ever and ever.

Go hop over to the link and see how many of the books you've bought/read. Are there any that surprised you?

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Friday, February 05, 2010

MacMillan vs Amazon Pt 3: Fallout

It's Friday and yeah, of course I'm running late for work.

I was wondering: do you read less blogs now that you're twittering and Facebooking? Do you find that you write fewer posts?

I mean, everyone is twittering with their phones in 140 words or less everything they're doing at all hours of the day--standing in line, stuck in traffic, checking out people while shopping, in the theatre while watching the freaking movie!--so by the time one gets to blogging, thre is obviously nothing left to say. Is there?

I don't twitter or Facebook as much as my friends because of my work, but yeah, I "talk" a lot while watching TV shows because it's fun to comment about the scene along with a million other people. Now I'm wondering that this could mean the end of live-blogging of the NOSCARS (Nascar & Oscars) for this blog because who would be reading my musings when thousands would be online doing their live tweets about the show?

Things change, yes?

Yet things remain the same because we're still watching TV, only differently. We're still hooked to that remote.

So, to make a quick and not-so-deep comparison, things are changing in the publishing world but they are still the same and will be the same for as long as we love reading. There are flame wars being fanned by many online that seem to thing the end is near, that nobody is going to be able to afford to read anymore due to the price of ebook hiking.

MOST ebooks are still cheaply priced. Samhain ebooks are still affordably under $9. And, if you go to many of the publishers' sites, they're giving away bundles of ebooks for free to promote their authors, as well as selling backlists quite cheaply too.

I'm not saying $12.99 or $15.99 is a good price for ebooks. Not at all. I don't think it's sustainable, but the PTB at big publishing companies want to save their hardcovers and the brick-and-mortar booksellers from dying. Because you know, less brick-and-mortar, more likely big publishing company may go under. Already, Borders is in deep doo-doo, and if it goes, one less place for us booklovers from which to puchase our books.

I also don't believe in dumping, the act of artificially setting a low price for a period of time to kill off competition. Walmart, I'm looking at you. If you aren't aware of how dumping works, just look at the disappearance of all the small businesses around town, or just google about Walmart dumping and try to figure out why there are always demonstrations from locals fighting a new Walmart from being built.

Yes, yes, yes, the convenience of shopping and the cheap pricing are always the argument brought forth by shoppers. I have nothing against that. I shop at Walmart too. But you have to admit that many of us have lost the choice of not shopping there. Besides going to the big malls or a shopping center, there are just no more local shops, who might have offered better and certainly, in many cases, more superior products.

So, meanwhile, as the publishing world turns, just as when the One-Stop-Shopping Box turns, certain elements suffer. In the One-Stop Shopping Box example, small businesses had to adjust, change, or go out of business. It's a slow process. Some became good at adapting their prices, even became niche markets. So that could be what the publishers have to go through before things settle down in the book world.

And things will. Prices might go higher, but that don't mean MacMillan wouldn't take them down. They're all about profit and if their decisions don't make them money, they'll rethink their strategy. No matter what, you will see many changes, some of no interest to many of you, dealing with insiders like agents, authors, and other industry players.

Meanwhile, reading will continue. Can I also add that borrowing from the library is a good thing, so stop making those threats. Libraries need our support too.

As of writing, authors writing under the MacMillan umbrellas are still unable to find their books for sale through Amazon. So that war is still going on. If you would like to hear how this affects their sales, here is an interview of Tor authors at Bloggasm:

Tor Authors Express Worry

Hopefully, not too many authors will be put out of business because of this, especially those with debut books whose numbers will be affected. God knows how I understand what numbers affected by Walmart not selling/distributing a book could do to a career. God, do I understand.

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Tuesday, February 02, 2010

Amazon vs MacMillan pt 2, or, Authors: What About Us?

As of this writing, Amazon hasn't re-activated the BUY button to many of the MacMillan books, physical or ebook versions. I'm not a MacMillan author (which covers Tor, St. Martins, many others) but many of my friends are. John Scalzi says it best on his blog today, A Call For Author Support, that it isn't just about big corporations. There are authors whose livelihood have been affected by this tug-of-war.

Remember there’s more to bookselling than Amazon. Offline there are brick and mortar bookstores — go visit one. They like visitors. Tell them I sent you. Online there is Barnes and Noble. There’s Powell’s. IndieBound will hook you up. Specialty bookstores have their own web sites. You can often buy books online from the publishers themselves. Hell, even Walmart.com sells books.

Yes, yes. I know, you know Amazon isn’t the only place to buy books online. But that doesn’t mean you use those other places. I had a friend who used Barnes & Noble’s web site for the very first time in a decade today, because, as it happens, Amazon wouldn’t let him buy a book. He was pleased to discover B&N let him use PayPal. Good for him. The point is, he didn’t let a balky retailer keep him from getting a book he wanted. I suspect too many people do just that; they get used to going to that one place online and forgetting there are any other options.


I know most readers who want a book will know how to get that paticular book, on or offline, but there are so many people who are so focused on this Amazon-MacMillan thing right now, yelling at each other about prices and rights and ebooks and whatnot, that I feel the need to help my author-friends who are trying to reach readers LOOKING FOR THEIR BOOKS. Maybe even readers who are unaware about what's happening.

Man, it's like a war zone out there. I read posts telling authors they are stupid to side with MacMillan, while others want to boycott Amazon, and yet others threaten to forever buy MacMillan books second-hand or pirate its authors. No matter what, the losers are still the authors because readers looking for their books can't buy them, and you know how clicking off a page could be a lost sale.

There are so many conspiracies being bandied about, I think we need Jack Bauer to save the publishing world. ;-P



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Saturday, January 30, 2010

Amazon vs MacMillan, or Uber Roofer's Roofing 101

The following is solely a rooferauthor's back-and-forth understanding of the situation.

Last night (Friday), Amazon took off the BUY button of all books under the McMillan Publishing umbrella, affecting many of my writing friends who write for, just to name a few, Tor, St. Martin's Press, and Faber & Faber (and don't forget the school books!), making them unavailable for sale. There has been quite an uproar, especially on the Intertubes, among authors, sellers, and readers, all siding one, the other, or none, all castigating one, the other, or both.

Since it is about the book industry and could affect me in the future, I need to process this. There's really nothing I can do because the two giants are negotiating over prices that I can't set. They're doing all the doing and I'm just an author with a small roofing business with which to compare all the finagling going on.

***What is Amazon vs McMillan about?

Well, it depends on who's explaining the Big War. The Amazon side says that they're trying to sell ebooks at $9.99 and mean old MacMillan is telling them in the newest round of negotiations that they can't do that. Amazon is saying that they're all about the readers and MacMillan is not. There is, as far as I know, no official statement.

The MacMillan side says that they're trying to maintain fair competition among all booksellers. In their new negotiations, they're asking Amazon to sell books in a scaled price, i.e. $14.99 to $5.99. From official statement on Publishers' Lunch:



Under the agency model, we will sell the digital editions of our books to consumers through our retailers. Our retailers will act as our agents and will take a 30% commission (the standard split today for many digital media businesses). The price will be set the price for each book individually. Our plan is to price the digital edition of most adult trade books in a price range from $14.99 to $5.99. At first release, concurrent with a hardcover, most titles will be priced between $14.99 and $12.99. E books will almost always appear day on date with the physical edition. Pricing will be dynamic over time.

The agency model would allow Amazon to make more money selling our books, not less. We would make less money in our dealings with Amazon under the new model. Our disagreement is not about short-term profitability but rather about the long-term viability and stability of the digital book market.


I'm interpreting this as MacMillan trying to equate e-books with hardcovers, that if e-customers/e-readers are eager, they can purchase the e-version of books when they first come out at the full price. If they don't want to pay this price, similar to print-readers who choose to wait for the cheaper paperback version, they can wait until the price scales down over time.

Now my interpretation may be wrong but that's how those paragraphs read to me. Here is the link to the entire McMillan formal statement:

PUBLISHERS MARKET/MCMILLAN

Of course, the raging debate narrows down to these facts:

1) e-readers are angry that McMillan wants to raise e-books to $15. Amazon can sell their products at any price they want.

Rooferauthor: I can see their POV. Of course consumers want everything cheap and Amazon is giving them the price they want.

b) Authors are concerned because Amazon took off the BUY buttons for ALL books, meaning, print version of their books can't be bought either. This kind of hardball doesn't make them happy because hey, it's the e-books they're in disagreement with, so why punish the print books too?

Rooferauthor: I also see this POV. But I'm also thinking, readers who want to buy the books can go to Barnes and Noble, Books-A-Million, Borders, and other sites. All that Internetz Shouting might rub the e-readers/Kindle people the wrong way. Of course, authors should provide information on their sites about what's happening and Other Avenues to order their books, even e-versions of them. This, however, doesn't solve the Amazon/Kindle e-readers' dilemma.

iii) "Everyone is just greedy bastards. Everyone makes too much money. Everyone is out to get them. Everyone ought to..." Ah. There are many versions of this kind of scolding. One can't argue against the bitterness. It's an emotional issue for some e-readers. Got it. Ebooks should be cheaper without DRM. Got it. Ebooks can't be treated like print books. Got it.

Rooferauthor: These topics are a whole 'nother can of worms. Since when have retailers make things the price it should be even if the product is cheaply made? It costs Nike $6 to make their shoes in Indonesian factories, but evidently, some consumers are still happily buying those shoes at $50 a pair.

Roofing analogy:

I've been in the business for over 20 years and I've seen something similar happened to the roofing industry. Over the last two decades, big companies have gobbled up all the mid-sized ones. This can be compared to how all the big publishers buying out or merging with each other until there are now numerous publishers like Tor and St. Martins who are actually part of the giant Daddy, McMillan.

Today, in the roofing business, one can survive two ways. One, be super-huge, the kind that have many, many employees, with big trucks and heavy equipment, able to bid on multi-million commercial jobs as well as whole subdivisions, thus giving savings through their accounts with the suppliers, and bringing in bunches of cheaply-paid employees who can do ten or twenty roofs a day to get that profit in spite of the giant overhead.

By giant overhead, I mean these companies have to deal with insurance (workman's comp, liability and health), accounting departments, salespeople, interest payments on property, bills from owning all those company vehicles and construction equipment, maybe tv/radio advertising (I know the yellow pages cost $$$ for those big ads), etc. This is not even counting the silent partners who don't get involve in anything except their share of the profits.

Their pricing of roofs to customers (homeowners) might have to be higher, but they offer an attractive package that some homeowners want--maybe interest-free loans upto 12 months to pay, a job done in a day instead of a week, a "big" name which some of them think = good job (or at least, some sort of guarantee that they could get the company back to fix any problems), etc. etc.

The other model: be super-small, with very few or no employees, with the owners wearing as many hats as they can, including doing the roofing work themselves. With very little overhead, the small company can charge a lot cheaper and make a profit, but they have to work a lot harder because they don't get the same discounts from suppliers. They usually don't have any health insurance (self-employed, plus under five employees) and no big dump trucks or construction insurance beyond the minimum required. They very rarely have the big ads. They don't have to worry about constantly have jobs to sustain the pay and credit; one roof at a time can pay for employees (usually one or two) and expenses, plus a little profit.

If it's like my partner and me, we really only need one roof a week to stay alive. We aren't going to get rich doing that, but it'll pay the bills and we can sustain a so-so standard of living, providing we're careful. We also don't have to worry about huge losses; we don't make any money that job, but at least we're not paying out paychecks in addition to the loss.

On the negative side, we can't compete with the big dudes. There are only two of us; they can do a job much faster than us. They can also, if they decide, eat the loss and bid some jobs lower just to keep their guys working and the company cash flow going. Smaller companies like mine can't do that, so we usually don't take the job or go out of business.

Why am I giving you guys a short course in Roofing Biz 101? And how is that even comparable to Publishing 501?

Well, I can only give you my understand of what is happening. To me, a big company's business model and their profit margin is very different from a smaller one. Besides the extra expenses that smaller companies don't have, they have to take into account that other smaller subcontracting companies may depend on their accounts for their livelihood.

So, back to Amazon. Amazon is one of McMillan's retailers. They also invented the Kindle. To get the e-reading market interested in the Kindle, Amazon lowered their ebook prices, thus taking the loss of what they bought the ebooks for against the profit of selling more Kindles. As I see it, they aren't making any money from the ebooks, but from one of their non-McMillan products. On the way, Amazon is killing the other retailers who can't match that price for the same McMillan ebooks (because they all bought it at, let's say, $15 and not everyone can take a $5 loss).

McMillan would like its other retailers (with their Nooks and their I-Pads) to succeed, so that there is a competitive market for its digital program in the future. It's in their interest not to have an Amazon/Kindle monopoly. They would like all its retailers to have the scale-model it proposed in its new contract (I think Apple has accepted this, but not sure).

Amazon retaliated by pulling all MacMillan books this Friday. Why? Not sure. Maybe to show that they don't need MacMillan as much as MacMillan needs them. I do know that one of their strengths lie in their telling their e-market that it's all about the publishers' greed, thus making quite a number of readers, both e- and print, very angry and vowing one threat or another.

The bone of contention appears to be how much does it take to make an ebook? It's not tangible and there is no overhead of housing them in some storage place. Once it's done, it's just a file waiting to be downloaded. So, an ebook should cost less than $15. For example, Samhain Publishing charges a lot less ($5-8) and they're a thriving company, aren't they? Why can't MacMillan and other big bad publishing companies do the same?

That's just it. They can't. Remember my Roofing 101 above? The big companies have other expenses so they spread the costs of their products around to keep the company going. A small company's smaller overhead, in this case, means less profit to divide, and they're willing to let Amazon play with the price because their ebooks aren't affected. Besides, they're mostly e-books, not mostly print books.

On the other hand, the big guns are mostly print books. The ebook market is growing but not fast enough to sustain their present expenses, with their stable of authors. Losing out to Amazon, one of their retailers, mean that they'd also have to take a loss that perhaps they can't afford to right now (I don't know. I don't want to come off defending them. I really don't know how much it costs for big companies to make ebooks plus their overhead, but I'm thinking closer to double what it takes Samhain). Also, see monopoly concerns above (everyone agrees Amazon is on the way). Lastly, if e-books were to take the place of hard covers in the future, big publishers would like it to have a premium price, just like the hard cover (the logic here is a bit fuzzy).

So, does rooferauthor have a solution?

Heh. Well, one stupid one. Big publisher should form another company under its umbrella that is totally NOT affiliated with the print part. This smaller company should have no employees wearing any other hats but its own. Its overhead would then be similar to that of Samhain and like companies.

Then, after signing their authors and buying the rights to published their books, Big Company can sell the ebook rights to the smaller company, relinquishing all responsibility of production, just the same way it does so when it sells the foreign rights. This agreement can be renewable on a limited basis so authors can renegotiate or whatever other business negotiations that go on in the big business world to make sure they get more money. Thus Big Company now has made its initial "profit."

With the control as well as smaller overhead, smaller company can then produce e-versions of the contracted books at a cheaper cost (no worries about Other Expenses) and sell to Amazon and other retailers at a lower cost and then let the retailers set the price however they want.

Simplistic? Probably, since I haven't really sat down and thought the whole model through. I'm not the one with the problem, you know. I was just thinking, that if a silly small rooferauthor could start trying to come up with a workable solution, these big companies could have done so without playing the billionaire's version of chicken. Right? Just sayin'.

Not that anyone would listen to a rooferauthor.

End Roofing 101. Back to your reading pleasure ;-).



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Tuesday, January 05, 2010

Numbers & Intentions

It never fails to amuse me. All I have to do is post sexy vege pictures and a Gerard Butler video and my site numbers spike up by hundreds. Many people from all over the world (Indonesia, I'm looking at you) are in love with Gerard Butler. I'm not sure what people have in mind when they google for sexy veges, LOL.

I know writers don't share sales numbers because of...I don't know...because of some unspoken professional rule, but since Big Bad Wolf was a self-pubbed experiment, I'll do so on my blog for those who are interested in whether this option is viable for you.

At the end of 2009, one year after BIG BAD WOLF came out, I've sold 700 copies, mostly through Amazon. Those that I sold from Createspace are mainly orders from overseas, especially from wonderful Australian booksellers who keep my Aussie readers Glow-happy and to whom I'm eternally grateful.

Overseas sales are about 100 copies, ordered by readers from Australia, Malaysia (yo, homies!), Singapore, Thailand, England, and France. I'm sure I missed a few international readers, especially Canadians, who ordered through Amazon, which I must seriously thank because I know the shipping charges got to be painful to the wallet.

When I started this project, my research said I could expect about 250 sales at most because, other than family and friends, self-published books aren't going to catch much attention. So that was my target. I figure I could possibly get 250 sales at 12 or 13 books a month.

My main worry was the price. Amazon takes a big chunk of the $11.55 price I put on the book, almost 80 percent. I needed to make back some money to:

1) prove that it's a business venture that can bring in profit
2) pay a bit of taxes (I didn't have a contract with Samhain when I started so I needed to show income for my GLow entity)
3) pay for the odds and ends, like the cover art and shipping charges

Most trade paperbacks are $14 and above. Most self-published books are set at incredibly self-delusional prices (some at US$40). I really tried to get it as close to $10 as I could, but couldn't do it at that time. I think, at this point, after a year, I can lower the price to $10.55.

My only problem was that I didn't know how to set my .pdf file into Amazon's .css requirement. Someone mentioned that Word would automatically do this but maybe it's a newer Word since my version (2003) doesn't seem to have this function. I just didn't have the time to sit down to learn. I'd love to be able to get on Kindle and sell it for $4 or whatever it was the wise and funny J.A. Konrath was teaching at his blog. Maybe that would be my 2010 goal...learn Kindle-ese.

Okay, that's my self-pub numbers in a few paragraphs. I'm not an expert. I mostly muddled through the process and did very little publicity except blog about it. The numbers stand on their own, with no big stores selling the book, no big push from anyone, a couple of wonderful reviews from Mrs. Giggles and Riley Merrick (sadly, I'm heartbroken, I couldn't get Harriet Klausner to give me five stars, heh), and no advertisement. All I had were my readers and I'm eternally grateful to everyone who ordered the book because you trusted my writing enough to know that I'd try my best to give you a worthy book. Thank you.

I think I'd try another self-pub book this year, so that I can LOWER Big Bad Wolf's price. Just to see whether Amazon would do a 2-for-1 sale or something like that. I'm curious at how they recommend their Createspace books. Besides, the income from those 700 books was enough to pay for most of my health insurance. So, yay. That was much, much more than my original 2 bks a month expectations, yes?

***********

Last year I also went epubbed for the first time. My New Year's resolution was to sell Virtually Hers by-hook-or-by-crook and I accomplished that in May, when the wonderful Angela James, then Samhain editor, bought my book.

Virtually Hers has been out three months and has done okay. Again, with a two-year lapse between Book 1 and Book 2, I wasn't expecting much, so was pleasantly surprised at the first month's sales number (in the hundreds). I'm looking forward to the print version of Virtually Hers coming out this August because I know many of my readers are waiting for the print format to read Jed's and Hell's continuing story.

Many readers are still not familiar with the e-book world. Or they don't hear much news about it. I get a number of emails a month asking where they could find Virtually Hers, after they googled the item and found that it was out in 2007. That's OLD news, of course, and I have to explain that THAT book never came out, and that it is now available through Samhain. Two out of three would then re-email me, confused about how to order the print book from Samhain, even though I've earlier explained that VHers was an electronic book first.

So, as an e-author, I've to learn how to communicate clearer about book formats and how the e-book world works (first e-format, then months later, print format). Most of my readers are looking for the print format and although some are willing to download the e-book, many opted to wait. I adore their patience. I adore their wonderful steadfastness. I adore that they keep looking for Gennita Low's books.

Many of my emails often ask about Alex's and T's story. I cannot tell you how popular these two are to readers and how many times I've to explain to them that although my agent is shopping their story around (with my proposal), she hasn't been able to sell it. And you know I love Alex and T as much as you do. I wrote their story in series-contemporary format years ago and even then they were special. I posted their original meeting a while back as a Christmas gift and I still get readers asking for a repeat after I've taken it off. I'll probably have to do it again.

So, anyway, I guess I should be bold and announce that my 2010 resolution is to get Alex's and T's story published by-hook-and-by-crook, eh? But I do have two projects that I need to get to:


1) For my agent, a new proposal about treasure hunters, with a spec. ops. flavor


2) For the self-pub, the Viking Dude urban-fantasy/alternative first POV story. It's not doing too well as a proposal, so I'm going to get it done (because I love my story) and put the first five chapters out for you to read free to see whether you'd like to continue. If there are enough thumbs-up, I'll self-publish it on Amazon.

Enough about boring numbers and intentions. Thought I'd share with you my 2010 writing plans after Virtually One (Samhain, hopefully late Spring 2010). I should be doing my first e-book signing at Romantic Times Booklovers Convention! Another first, and not sure what that entails. And yes, I'll be giving away free copies of Big Bad Wolf ;-).

For those who have requested, I'll put up the first chapter of T's and Alex's story again this afternoontomorrow (sorry, had to take off to measure a roof. In the cold, argh! And after that, I was so frozen, I was tempted into putting liqueur in my hot chocolate....) some time and put the link here. Stay tune.

Now, if only I could put a Gerard Butler original video in my ebook, you know I'm going to get some fantastic sales numbers :-).



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Sunday, November 22, 2009

Harlequin Horizon All Links All Weeklong!

For most readers, nothing's happening, so don't worry, carry on with the Thanksgiving menus and preparation.

For most romance writers, a big deal happened since mid-last week, when Harlequin Enterprises, the world's biggest publisher, announced that they were going to monitize their slush piles by sending the rejected writers to their new publishing line, Harlequin Horizons. Much explosions ensued.

If you want to catch up with the saga and have the time, here are the links to fill your writerly hours:

1) HQ happily announces HH, the new line. (Look! Shiny! For a price, you too can be a Harlequin author!)

2) Wherein PW, New Yorker, the Examiner, and even NYT weighed in.

-->In Which The Examiner Pronounced Harlequin "Regressing" Into Vanity Pub

--> New York Times Mocks Romance Writers

--> The New Yorker Makes Fun of Romance Writers as Harlequin Hacks and Writing Romance as "Masturbatory"

As you can see, this is NOT a good thing for a romance writer and a romance writing organization to read about to start their day. It's already a given that people make fun of romance writers and romance as a genre. But when your own #1 publisher is the cause of this new mockery? Very painful and disappointing.

Let me explain that writing organizations are non-profit and function to educate and protect writers who want to make a career out of writing. These organizations do it through by-laws and local chapters, teaching those who are interested the different ways they can market their manuscripts.

The first thing we learn as writers is that money FLOWS to the author, not the other way. That means, you don't pay anyone--not an agent, not a "publisher"--to publish your work; they pay you.

Any agent who rejects your manuscript and then charges money for a publishing service (meaning, you pay $$$ to get edited or $$$ to be published) is kicked out from the Agent's Association.

Any publisher that charges you to publish your work, with false promises of distribution (when there is none), keeps the copyright, splits your royalties and/or make you buy your own books for distribution is a vanity publisher. How does one distinguish a vanity publisher from a self-publishing/Print-on-demand (POD) service? Simple. A self-publishing service allows you to copyright your own work. A self-publishing service is basically a PRINTING service--you upload your own work; you design your own product; you control the quality of the book; you keep the copyright. The service charges you for each printed book and take this expense out of the price you set. There are no thousands of dollars involved.

*NOTE. There is nothing wrong with self-publishing. I've done it with Big Bad Wolf. At the same time, I know that this is not recognized by my organization because of its by-laws, the Romance Writers of America, so I don't promote the book there.

I understand the reasoning behind this rule. If RWA allowed one self-pub into its organization, then every self-pub and vanity-pub will be eligible. There won't be any gatekeeper against the scammers who charge an arm and a leg. A writing organization must have rules to keep publishing a professional process. Can you imagine your Uncle Tom wanting to sign his un-edited and un-vetted romance at RWA because he "published" it and bought 200 copies that are now sitting in his garage?

(ETA. This is not to say there aren't great self-published authors out there. So don't come here and start that old lecture about self-publishing is a matter of choice, etc., 'kay? I respect self-published authors who have done their homework and who understand the difference between vanity publishing and doing-it-oneself; they work very hard on making their books a professional product. I'm talking about those business fronts that slap a name and title on any unedited manuscript and charge the author big sums of money after making false promises that it'll be marketed like a traditionally pubbed book)

Thus RWA, MWA (Mystery Writers of America), and SFWA (Science Fiction Writers of America) acted swiftly. RWA and SFWA took Harlequin off their eligible publishers list, a move that was akin to the shot heard around the world. Because, you know, Harlequin aka Romance Publisher King. Harlequin also publishes many suspense and mystery lines. Here are the RWA, MWA and SFWA's strongly worded announcements:

Harlequin No Longer Eligible

Author and industry blogs exploded. Many examined the Harlequin Horizon (now being called by some, Har Ho or HQHo--oh Harlequin, how could you not have foreseen the snarkage of this name?) and broke down all the monetary details of this new vanity service. Even well-known agents weighed in.

-->The best line-by-line of Har Ho's charges of their services by by Falconesse, who calculated, using Har Ho's numbers, that it would cost a writer $7930 for them to edit his/her 90,000 word manuscript. That's not counting the promotional and distribution charges, folks. And oh, the $20,000 extra if you want a minute/two length Hollywood trailer (starring who, I say? Nekkid George Clooney?)

-->Excellent breakdown of why Har Ho is misleading by author Jackie Kessler

-->A humorous conversation between Har Ho and potential client by author Jackie Kessler

-->Agent Ashley Grayson compares Har Ho to Bernie Madoff and his Ponzi scheme. He didn't mince words.

All of this led to Harlequin making another public announcement to RWA, stating that

It is disappointing that the RWA has not recognized that publishing models have and will continue to change. As a leading publisher of women’s fiction in a rapidly changing environment, Harlequin’s intention is to provide authors access to all publishing opportunities, traditional or otherwise.


which led to a great John Scalzi translation, calling Harlequin's defense as "putting lipstick on a con job."

There are people defending Harlequin's new venture, of course. Two notable ones are

1) HQ Editor Stacy Boyd who can't discuss about her employer, Harlequin, but will tell you that self-publishing is the newest, most interesting thing. I have to note here that her inability to talk about HQ really makes the title of her post, OMG RWA!, moot, since what's the point of berating a writing organization berating your own employer that you can't offend/defend/discuss about to your blog commenters?

But you must scroll down and read the many popular authors who came to publicly make their concerns known.

2) Kat Meyer at Net Galley who wonders what these writing organizations are "so afraid of?" She points out that writers should be given the chance to try a new publishing model since everyone agrees that the old one is broken.

This model is apparently opposite of Yog's Law, which is, "money flows from publisher to the author," because the moment someone pointed that out, publisher Michael Hyatt (from Thomas Nelson, publisher of Christian books, which also has a similar vanity-press deal with Author Solutions/also now taken off RWA eligible publishers list) chimed in the comments:

Where is this etched in stone? We have sellers and we have buyers. Sometimes the publisher buys; sometimes the publisher sells. The same is true of the author.

thus reinforcing the point that yeah, publishers are thinking about not paying authors any more (And yeah, that's why authors are worried about their future.)
The best comment on the thread belonged to the wonderful author, Laura Kinsale. Here's a teeny excerpt:

Ya know, I’m just tired of being lectured about all the “oh oh the future, yer doin it wrong now, oh look, shiny!”

The problem is, this vanity stuff ISN’T a shiny new business model. It’s older than the hills.Instead of making money off of readers buying books, it’s making money off of writers printing books.

Click on Kat Meyer's link, scroll down, and read the awesome rest.

Because of the general meshing of self-publishing and vanity publishing, this whole thing got a bit side-tracked here and there on the Intertubes with self-publishing authors coming in to defend their choices. Nora Roberts gave her opinion about Harlequin's venture:

...it’s a different matter, when a big brand publisher uses its name and its resources to sell this as dream fulfillment, advertises it as such while trying to claim it’s not really their brand being used to make money on mss they’ve rejected as not worthy of that brand in the first place."

and received a lecture from Zoe Winters about the state of publishing.

Roberts and Winters Gunfight

(cue The Good The Bad The Ugly theme song)
Zoe Winters: "I’m happy that traditional publishing has worked out for you like it has....But this isn’t the story of most people. You are like the hope that keeps everybody running on the same pointless (for most) treadmill."

Nora Roberts: ''I do wish when I participate in these discussions, I wouldn’t see a response along the lines of: Easy for you to say when you’re Nora. It does negate my opinion and my participation. And a word of advice? If you’re serious about ending ‘a pissing contest’ don’t continue to piss."

Kapow! Kapow! (my edited version)

And that's all the links to keep you busy for today. Till further development, I'll leave you with the inevitable Har Ho Spoof:

Small Beer Press/Horizon Imprint (YOU MUST VISIT!)

Next? Maybe I'll share with you my experience with Scam/Vanity Publishers when I was a newly beginning writer hoping to be published.

Happy reading!

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Friday, July 31, 2009

Work, Words, and Worth

I've been inundated with work since coming home last week (has it already been a week?!). Besides my darling older furbabies' health issues, I have to literally run from job to job and roof to roof trying to catch up. Then it's running home to ck on the old babies and given them their medication. The other night, I basically sat down and blanked out for five hours, and waking up to hungry dogs and unfinished chores.

Then my editor sent me a major suggestion--to cut out all three chapters containing past scenes from Jed's life because they aren't really needed for the main story to flow. Wahhhhhhh.... I couldn't handle it at that moment and just ate a tub of ice cream. It's a decision that's very hard for an author to take but one has to trust one's editor because we're working towards the same goal--a better book. The important thing, of course, is making everyone happy ;-).

So anyway, if you have read all my excerpts and later don't see the "little Jed" excerpt posted on the right column of this blog, the one that starts with a kid named Conor (Jed's middle name), it's because it didn't make it into the final cut of the book. I think if I don't rewrite/revise them, I'll just post these chapters on the Intermundia blog as well as my website. What do you think? Would you be interested? It's just Jed's past, events that I thought would be perfect mirrors to what was happening in the book, between him and Hell, giving the reader another layer to see how Jed became the Jed we know. Some of you might like that; some of you, like my editor, won't need those scenes.

It's all about work, words, and worth. This is my motto as I think of what is and how it's more important.

It's Friday and fun video time, of course. Here's one of a Perfect Divorce. Every one should end their relationship in this manner, I think!



Happy Weekend! And yes, the totebag contest below is still open for all till Sunday.

Hopefully, your life hasn't been as stressful as mine this past week. If you have a gripe, let's hear it. You hear mine all the time!



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Saturday, April 11, 2009

Virtually Hers Update/Your Opinion

Last week, out of the blue and because I wanted to be in the top ten of a March Madness version of Best Romance Books Tournament at Dear Author, I announced a contest that whoever who go to the site to vote for Patricia Briggs' Iron Kissed would be entered into a contest. The winner would get a copy of VIRTUALLY HERS, whom I've planned to come out via Amazon POD services in time for the Romantic Times Convention.

During the game, an editor from Samhain had seen my announcement on Twitter and had come to my site to check out news about VIRTUALLY HERS but of course, found nothing. I told her about my plans and added a quick query whether she might be interested to read the manuscript anyway. She was! She said that if accepted, VHERS could possibly be out in E-BOOK format in fall and in print format ten months after that.

So anyway, that was something new to mull about all week, whether I should just go ahead and put VHERS out on Amazon while waiting for Samhain's decision. If Samhain makes an offer, I could always just take it down from Amazon, right? Or. I could just do a limited printout so I can just take the books to the RT convention signing and also give one to the contest winner.

What do you think?

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Wednesday, April 01, 2009

Special News

Today is a special, special day. His Jedness wants to tell you his book will be out end of this month.

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Tuesday, January 06, 2009

Wait, Wait, There's More (Waiting)


Because readers are still looking for Virtually Hers and writing me emails inquiring about it, I have to explained the current situation over and over again. I'm very blessed by the fact that I have very persistent readers, who keep coming back and asking, but this also has made me sent out a mini-newsletter several times this week. I apologize if you see double emails from me, explaining about Virtually Hers and Big Bad Wolf.

The second round of questions from readers are coming too, mainly, WHEN THEN is Virtually Hers coming out? When will you decide? Because I really, really, really WANT IT NOW.

I wish I could give you all a definitive date when I would decide/what is going to happen/how it's going to happen, but you see, in the publishing world, especially if you're an author, there is a lot of waiting. And waiting.

Let me give you a sense of what I've been through for most of last year:

1) I waited up to October of last year for an answer from my publisher whether Virtually Hers would be published/pushed back/moved to another line/anything. It was the longest wait of my life because, unlike when I was unpubbed, I wasn't free to submit any other romantic suspense while under contract, so my career was suddenly floating in limbo.

2) I waited for one year for an answer from my publisher about a FREE E-BOOK to give away to my readers. It would be FREE from me. Surely that would be do-able. I was even willing to format it into PDF for them. No answer. Not even a maybe. Just silence, despite several calls.

3) Finally, in August, after one year, a definite No. But by then, of course, I also have gotten the bad news about Virtually Hers' Walmart (retail number) problem.

4) When I came home from conference, I gave away Big Bad Wolf as an e-book while waiting for a final decree from on high as to just what would happen to Virtually Hers and Virtually One. Waited. WAaiiiiiiiited. October came around. Feeling the career thing flatlining without any work being sent out, I finally asked to be released from my contract.

5) Once that was done, it was back to waiting, WAITING time for an official contract release letter. Waiiited. Waiiiittttttteddddddd. I signed three copies and sent off in Nov. sometime.

6) Meanwhile, agent and everyone in the business knew that Nov and Dec are too close to the end of the year to submit. Editors usually "clear" their desks and then take a Christmas vacation, so it was best to WAIT till beginning of the year to get back into submitting.

7) An editor privately talked to and assured me she would be interested in any NEW submissions from me but not the dropped Virtual series. This was expected because as I've explained, most publishers don't pick up another house's dropped series. So while I was WAITING for 2008 to be over, I was also thinking. If I were to go the self-pub route with the Virtually series, I should at least do some research, maybe get busy with a project that I wasn't submitting.

8) So, I decided to try Big Bad Wolf as my fun Christmas project while I work on my other writing--the proposals for the manuscripts to be sent out after New Year. Meanwhile, because of holidays, NY publishers usually shut down, so no sign of my copy of contract release yet.

9) Spent over a week for Big Bad Wolf to appear on Amazon. Finally, there it was on the 24 of Dec.

10) NEW YEAR. Flood of unhappy readers emailing me regarding the whereabouts of Virtually Hers. Waaaiiitttttttting for release contract.

11) Most people are off till Jan. 5 and it takes one week to "settle" back into the job, so as of right now, agent and I are waiiiiiitttttinnnnng for this week to be over so she could get on the phone and start calling.

12) When this happens, guess what's next? Yes, more waiting. Because editors, bless them, will need time to read and consider the proposal(s) as well as do a hundred other things for which they're responsible. I'm thinking, optimistically, that I'll hear answers by the end of January, especially on the Virtual series, since that's probably a straight yes/no answer. HOWEVER, based on my last experience, who knows? Maybe there will be long silences while I try not to slit my throat (yes, I'm being melodramatic).

That's why writers keep writing. If we just sit and wait for answers, we'd all go even nuttier than we are already. To keep myself occupied, I'm going on with the "Viking Dude" writing and learning more about the POD self-publishing business. For instance, the last couple of days, I've been looking into making it available through Kindle. Once that's done, I'm looking at I-Tunes because I heard you can download books from there.

Also, if I'm still Waaaaiiiiiting by the end of the month, I'm going to have to consider selling a double-novella of two SEALs through GLOW WORLD CREATIONS, you know, my very own e-store. Why? Because while I wait, I'm one very, very poor writer since there aren't any roofing work to supplement my dream life (I had to let my personal trainer and masseuse go, wah!) I have stories ready and I know many of you will like a good short story of either Cumber baby and yet another Steve McMillan //big evil grinning forming//. Heck, if I'm kept waiting, there's always a short story about exactly what happened to Cam and Patty off-stage ;-). Aha! I knew I could get your little ears all perky.

But what I'm trying to say is, there is a lot of waiting going on when you're a published writer. It's not a one-phone-call-settles-everything business. Editors have to wait for approval from higher-ups too. And I haven't even gotten to the part about those Invisible Bean Counters, the Secret Mages of Conglomerate Profits.

So, please be patient with me. I know most of you are (and you know I love you for being there with me), so this post is directed to the many new visitors googling Virtually Hers and also to those who can't understand why I can have BBW out so quickly but not Virtually Hers.

Next month--Sexy Vegetables POD! ;-) Wouldn't that be a bestseller.

(***whistling. Because I know the posts about Cucumber and new Steve are coming)


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DAILY DOSE OF CUTE PUPPINESS

Send My Publisher A Nudge