ANNOUNCEMENTS

VIRTUALLY HERS came out Oct. 2009. Get it at SAMHAIN Publishing. VIRTUALLY ONE coming soon.
VIRTUALLY HERS OUT IN PRINT AUG 2010.

I've also made available at Amazon BIG BAD WOLF a COS Commando book, an earlier manuscript about Killian Nicholas Langley. You can sample the first five chapters right here. EBOOK now available for KINDLE, NOOK, and at SMASHWORDS for $4.99.

I appreciate all your emails. If you'd like to buy Virtually His NEW, please contact me. Thank you.



CLICK:

Big Bad Wolf Author's Note/CH. 1

Big Bad Wolf CH. 2

Big Bad Wolf Ch. 3

(more chapters on left side bar below)



To read excerpts of VIRTUALLY HERS, scroll down & click on the links on the right.



EMAIL ME AT JENN AT GENNITA-LOW DOT COM


VIRTUALLY HERS UPDATE

VIRTUALLY HERS OUT IN PRINT AUG 2010! Discounted at Amazon!

To read & comment on the poll (left column), click HERE. Thank you for all the wonderful posts there!

UPDATE: I SOLD THE SERIES TO SAMHAIN!

Here's your UBER VIRTUALLY HERS YAK THREAD!


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Showing posts with label Busted. Show all posts
Showing posts with label Busted. Show all posts

Saturday, January 30, 2010

Amazon vs MacMillan, or Uber Roofer's Roofing 101

The following is solely a rooferauthor's back-and-forth understanding of the situation.

Last night (Friday), Amazon took off the BUY button of all books under the McMillan Publishing umbrella, affecting many of my writing friends who write for, just to name a few, Tor, St. Martin's Press, and Faber & Faber (and don't forget the school books!), making them unavailable for sale. There has been quite an uproar, especially on the Intertubes, among authors, sellers, and readers, all siding one, the other, or none, all castigating one, the other, or both.

Since it is about the book industry and could affect me in the future, I need to process this. There's really nothing I can do because the two giants are negotiating over prices that I can't set. They're doing all the doing and I'm just an author with a small roofing business with which to compare all the finagling going on.

***What is Amazon vs McMillan about?

Well, it depends on who's explaining the Big War. The Amazon side says that they're trying to sell ebooks at $9.99 and mean old MacMillan is telling them in the newest round of negotiations that they can't do that. Amazon is saying that they're all about the readers and MacMillan is not. There is, as far as I know, no official statement.

The MacMillan side says that they're trying to maintain fair competition among all booksellers. In their new negotiations, they're asking Amazon to sell books in a scaled price, i.e. $14.99 to $5.99. From official statement on Publishers' Lunch:



Under the agency model, we will sell the digital editions of our books to consumers through our retailers. Our retailers will act as our agents and will take a 30% commission (the standard split today for many digital media businesses). The price will be set the price for each book individually. Our plan is to price the digital edition of most adult trade books in a price range from $14.99 to $5.99. At first release, concurrent with a hardcover, most titles will be priced between $14.99 and $12.99. E books will almost always appear day on date with the physical edition. Pricing will be dynamic over time.

The agency model would allow Amazon to make more money selling our books, not less. We would make less money in our dealings with Amazon under the new model. Our disagreement is not about short-term profitability but rather about the long-term viability and stability of the digital book market.


I'm interpreting this as MacMillan trying to equate e-books with hardcovers, that if e-customers/e-readers are eager, they can purchase the e-version of books when they first come out at the full price. If they don't want to pay this price, similar to print-readers who choose to wait for the cheaper paperback version, they can wait until the price scales down over time.

Now my interpretation may be wrong but that's how those paragraphs read to me. Here is the link to the entire McMillan formal statement:

PUBLISHERS MARKET/MCMILLAN

Of course, the raging debate narrows down to these facts:

1) e-readers are angry that McMillan wants to raise e-books to $15. Amazon can sell their products at any price they want.

Rooferauthor: I can see their POV. Of course consumers want everything cheap and Amazon is giving them the price they want.

b) Authors are concerned because Amazon took off the BUY buttons for ALL books, meaning, print version of their books can't be bought either. This kind of hardball doesn't make them happy because hey, it's the e-books they're in disagreement with, so why punish the print books too?

Rooferauthor: I also see this POV. But I'm also thinking, readers who want to buy the books can go to Barnes and Noble, Books-A-Million, Borders, and other sites. All that Internetz Shouting might rub the e-readers/Kindle people the wrong way. Of course, authors should provide information on their sites about what's happening and Other Avenues to order their books, even e-versions of them. This, however, doesn't solve the Amazon/Kindle e-readers' dilemma.

iii) "Everyone is just greedy bastards. Everyone makes too much money. Everyone is out to get them. Everyone ought to..." Ah. There are many versions of this kind of scolding. One can't argue against the bitterness. It's an emotional issue for some e-readers. Got it. Ebooks should be cheaper without DRM. Got it. Ebooks can't be treated like print books. Got it.

Rooferauthor: These topics are a whole 'nother can of worms. Since when have retailers make things the price it should be even if the product is cheaply made? It costs Nike $6 to make their shoes in Indonesian factories, but evidently, some consumers are still happily buying those shoes at $50 a pair.

Roofing analogy:

I've been in the business for over 20 years and I've seen something similar happened to the roofing industry. Over the last two decades, big companies have gobbled up all the mid-sized ones. This can be compared to how all the big publishers buying out or merging with each other until there are now numerous publishers like Tor and St. Martins who are actually part of the giant Daddy, McMillan.

Today, in the roofing business, one can survive two ways. One, be super-huge, the kind that have many, many employees, with big trucks and heavy equipment, able to bid on multi-million commercial jobs as well as whole subdivisions, thus giving savings through their accounts with the suppliers, and bringing in bunches of cheaply-paid employees who can do ten or twenty roofs a day to get that profit in spite of the giant overhead.

By giant overhead, I mean these companies have to deal with insurance (workman's comp, liability and health), accounting departments, salespeople, interest payments on property, bills from owning all those company vehicles and construction equipment, maybe tv/radio advertising (I know the yellow pages cost $$$ for those big ads), etc. This is not even counting the silent partners who don't get involve in anything except their share of the profits.

Their pricing of roofs to customers (homeowners) might have to be higher, but they offer an attractive package that some homeowners want--maybe interest-free loans upto 12 months to pay, a job done in a day instead of a week, a "big" name which some of them think = good job (or at least, some sort of guarantee that they could get the company back to fix any problems), etc. etc.

The other model: be super-small, with very few or no employees, with the owners wearing as many hats as they can, including doing the roofing work themselves. With very little overhead, the small company can charge a lot cheaper and make a profit, but they have to work a lot harder because they don't get the same discounts from suppliers. They usually don't have any health insurance (self-employed, plus under five employees) and no big dump trucks or construction insurance beyond the minimum required. They very rarely have the big ads. They don't have to worry about constantly have jobs to sustain the pay and credit; one roof at a time can pay for employees (usually one or two) and expenses, plus a little profit.

If it's like my partner and me, we really only need one roof a week to stay alive. We aren't going to get rich doing that, but it'll pay the bills and we can sustain a so-so standard of living, providing we're careful. We also don't have to worry about huge losses; we don't make any money that job, but at least we're not paying out paychecks in addition to the loss.

On the negative side, we can't compete with the big dudes. There are only two of us; they can do a job much faster than us. They can also, if they decide, eat the loss and bid some jobs lower just to keep their guys working and the company cash flow going. Smaller companies like mine can't do that, so we usually don't take the job or go out of business.

Why am I giving you guys a short course in Roofing Biz 101? And how is that even comparable to Publishing 501?

Well, I can only give you my understand of what is happening. To me, a big company's business model and their profit margin is very different from a smaller one. Besides the extra expenses that smaller companies don't have, they have to take into account that other smaller subcontracting companies may depend on their accounts for their livelihood.

So, back to Amazon. Amazon is one of McMillan's retailers. They also invented the Kindle. To get the e-reading market interested in the Kindle, Amazon lowered their ebook prices, thus taking the loss of what they bought the ebooks for against the profit of selling more Kindles. As I see it, they aren't making any money from the ebooks, but from one of their non-McMillan products. On the way, Amazon is killing the other retailers who can't match that price for the same McMillan ebooks (because they all bought it at, let's say, $15 and not everyone can take a $5 loss).

McMillan would like its other retailers (with their Nooks and their I-Pads) to succeed, so that there is a competitive market for its digital program in the future. It's in their interest not to have an Amazon/Kindle monopoly. They would like all its retailers to have the scale-model it proposed in its new contract (I think Apple has accepted this, but not sure).

Amazon retaliated by pulling all MacMillan books this Friday. Why? Not sure. Maybe to show that they don't need MacMillan as much as MacMillan needs them. I do know that one of their strengths lie in their telling their e-market that it's all about the publishers' greed, thus making quite a number of readers, both e- and print, very angry and vowing one threat or another.

The bone of contention appears to be how much does it take to make an ebook? It's not tangible and there is no overhead of housing them in some storage place. Once it's done, it's just a file waiting to be downloaded. So, an ebook should cost less than $15. For example, Samhain Publishing charges a lot less ($5-8) and they're a thriving company, aren't they? Why can't MacMillan and other big bad publishing companies do the same?

That's just it. They can't. Remember my Roofing 101 above? The big companies have other expenses so they spread the costs of their products around to keep the company going. A small company's smaller overhead, in this case, means less profit to divide, and they're willing to let Amazon play with the price because their ebooks aren't affected. Besides, they're mostly e-books, not mostly print books.

On the other hand, the big guns are mostly print books. The ebook market is growing but not fast enough to sustain their present expenses, with their stable of authors. Losing out to Amazon, one of their retailers, mean that they'd also have to take a loss that perhaps they can't afford to right now (I don't know. I don't want to come off defending them. I really don't know how much it costs for big companies to make ebooks plus their overhead, but I'm thinking closer to double what it takes Samhain). Also, see monopoly concerns above (everyone agrees Amazon is on the way). Lastly, if e-books were to take the place of hard covers in the future, big publishers would like it to have a premium price, just like the hard cover (the logic here is a bit fuzzy).

So, does rooferauthor have a solution?

Heh. Well, one stupid one. Big publisher should form another company under its umbrella that is totally NOT affiliated with the print part. This smaller company should have no employees wearing any other hats but its own. Its overhead would then be similar to that of Samhain and like companies.

Then, after signing their authors and buying the rights to published their books, Big Company can sell the ebook rights to the smaller company, relinquishing all responsibility of production, just the same way it does so when it sells the foreign rights. This agreement can be renewable on a limited basis so authors can renegotiate or whatever other business negotiations that go on in the big business world to make sure they get more money. Thus Big Company now has made its initial "profit."

With the control as well as smaller overhead, smaller company can then produce e-versions of the contracted books at a cheaper cost (no worries about Other Expenses) and sell to Amazon and other retailers at a lower cost and then let the retailers set the price however they want.

Simplistic? Probably, since I haven't really sat down and thought the whole model through. I'm not the one with the problem, you know. I was just thinking, that if a silly small rooferauthor could start trying to come up with a workable solution, these big companies could have done so without playing the billionaire's version of chicken. Right? Just sayin'.

Not that anyone would listen to a rooferauthor.

End Roofing 101. Back to your reading pleasure ;-).



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Sunday, November 22, 2009

Harlequin Horizon All Links All Weeklong!

For most readers, nothing's happening, so don't worry, carry on with the Thanksgiving menus and preparation.

For most romance writers, a big deal happened since mid-last week, when Harlequin Enterprises, the world's biggest publisher, announced that they were going to monitize their slush piles by sending the rejected writers to their new publishing line, Harlequin Horizons. Much explosions ensued.

If you want to catch up with the saga and have the time, here are the links to fill your writerly hours:

1) HQ happily announces HH, the new line. (Look! Shiny! For a price, you too can be a Harlequin author!)

2) Wherein PW, New Yorker, the Examiner, and even NYT weighed in.

-->In Which The Examiner Pronounced Harlequin "Regressing" Into Vanity Pub

--> New York Times Mocks Romance Writers

--> The New Yorker Makes Fun of Romance Writers as Harlequin Hacks and Writing Romance as "Masturbatory"

As you can see, this is NOT a good thing for a romance writer and a romance writing organization to read about to start their day. It's already a given that people make fun of romance writers and romance as a genre. But when your own #1 publisher is the cause of this new mockery? Very painful and disappointing.

Let me explain that writing organizations are non-profit and function to educate and protect writers who want to make a career out of writing. These organizations do it through by-laws and local chapters, teaching those who are interested the different ways they can market their manuscripts.

The first thing we learn as writers is that money FLOWS to the author, not the other way. That means, you don't pay anyone--not an agent, not a "publisher"--to publish your work; they pay you.

Any agent who rejects your manuscript and then charges money for a publishing service (meaning, you pay $$$ to get edited or $$$ to be published) is kicked out from the Agent's Association.

Any publisher that charges you to publish your work, with false promises of distribution (when there is none), keeps the copyright, splits your royalties and/or make you buy your own books for distribution is a vanity publisher. How does one distinguish a vanity publisher from a self-publishing/Print-on-demand (POD) service? Simple. A self-publishing service allows you to copyright your own work. A self-publishing service is basically a PRINTING service--you upload your own work; you design your own product; you control the quality of the book; you keep the copyright. The service charges you for each printed book and take this expense out of the price you set. There are no thousands of dollars involved.

*NOTE. There is nothing wrong with self-publishing. I've done it with Big Bad Wolf. At the same time, I know that this is not recognized by my organization because of its by-laws, the Romance Writers of America, so I don't promote the book there.

I understand the reasoning behind this rule. If RWA allowed one self-pub into its organization, then every self-pub and vanity-pub will be eligible. There won't be any gatekeeper against the scammers who charge an arm and a leg. A writing organization must have rules to keep publishing a professional process. Can you imagine your Uncle Tom wanting to sign his un-edited and un-vetted romance at RWA because he "published" it and bought 200 copies that are now sitting in his garage?

(ETA. This is not to say there aren't great self-published authors out there. So don't come here and start that old lecture about self-publishing is a matter of choice, etc., 'kay? I respect self-published authors who have done their homework and who understand the difference between vanity publishing and doing-it-oneself; they work very hard on making their books a professional product. I'm talking about those business fronts that slap a name and title on any unedited manuscript and charge the author big sums of money after making false promises that it'll be marketed like a traditionally pubbed book)

Thus RWA, MWA (Mystery Writers of America), and SFWA (Science Fiction Writers of America) acted swiftly. RWA and SFWA took Harlequin off their eligible publishers list, a move that was akin to the shot heard around the world. Because, you know, Harlequin aka Romance Publisher King. Harlequin also publishes many suspense and mystery lines. Here are the RWA, MWA and SFWA's strongly worded announcements:

Harlequin No Longer Eligible

Author and industry blogs exploded. Many examined the Harlequin Horizon (now being called by some, Har Ho or HQHo--oh Harlequin, how could you not have foreseen the snarkage of this name?) and broke down all the monetary details of this new vanity service. Even well-known agents weighed in.

-->The best line-by-line of Har Ho's charges of their services by by Falconesse, who calculated, using Har Ho's numbers, that it would cost a writer $7930 for them to edit his/her 90,000 word manuscript. That's not counting the promotional and distribution charges, folks. And oh, the $20,000 extra if you want a minute/two length Hollywood trailer (starring who, I say? Nekkid George Clooney?)

-->Excellent breakdown of why Har Ho is misleading by author Jackie Kessler

-->A humorous conversation between Har Ho and potential client by author Jackie Kessler

-->Agent Ashley Grayson compares Har Ho to Bernie Madoff and his Ponzi scheme. He didn't mince words.

All of this led to Harlequin making another public announcement to RWA, stating that

It is disappointing that the RWA has not recognized that publishing models have and will continue to change. As a leading publisher of women’s fiction in a rapidly changing environment, Harlequin’s intention is to provide authors access to all publishing opportunities, traditional or otherwise.


which led to a great John Scalzi translation, calling Harlequin's defense as "putting lipstick on a con job."

There are people defending Harlequin's new venture, of course. Two notable ones are

1) HQ Editor Stacy Boyd who can't discuss about her employer, Harlequin, but will tell you that self-publishing is the newest, most interesting thing. I have to note here that her inability to talk about HQ really makes the title of her post, OMG RWA!, moot, since what's the point of berating a writing organization berating your own employer that you can't offend/defend/discuss about to your blog commenters?

But you must scroll down and read the many popular authors who came to publicly make their concerns known.

2) Kat Meyer at Net Galley who wonders what these writing organizations are "so afraid of?" She points out that writers should be given the chance to try a new publishing model since everyone agrees that the old one is broken.

This model is apparently opposite of Yog's Law, which is, "money flows from publisher to the author," because the moment someone pointed that out, publisher Michael Hyatt (from Thomas Nelson, publisher of Christian books, which also has a similar vanity-press deal with Author Solutions/also now taken off RWA eligible publishers list) chimed in the comments:

Where is this etched in stone? We have sellers and we have buyers. Sometimes the publisher buys; sometimes the publisher sells. The same is true of the author.

thus reinforcing the point that yeah, publishers are thinking about not paying authors any more (And yeah, that's why authors are worried about their future.)
The best comment on the thread belonged to the wonderful author, Laura Kinsale. Here's a teeny excerpt:

Ya know, I’m just tired of being lectured about all the “oh oh the future, yer doin it wrong now, oh look, shiny!”

The problem is, this vanity stuff ISN’T a shiny new business model. It’s older than the hills.Instead of making money off of readers buying books, it’s making money off of writers printing books.

Click on Kat Meyer's link, scroll down, and read the awesome rest.

Because of the general meshing of self-publishing and vanity publishing, this whole thing got a bit side-tracked here and there on the Intertubes with self-publishing authors coming in to defend their choices. Nora Roberts gave her opinion about Harlequin's venture:

...it’s a different matter, when a big brand publisher uses its name and its resources to sell this as dream fulfillment, advertises it as such while trying to claim it’s not really their brand being used to make money on mss they’ve rejected as not worthy of that brand in the first place."

and received a lecture from Zoe Winters about the state of publishing.

Roberts and Winters Gunfight

(cue The Good The Bad The Ugly theme song)
Zoe Winters: "I’m happy that traditional publishing has worked out for you like it has....But this isn’t the story of most people. You are like the hope that keeps everybody running on the same pointless (for most) treadmill."

Nora Roberts: ''I do wish when I participate in these discussions, I wouldn’t see a response along the lines of: Easy for you to say when you’re Nora. It does negate my opinion and my participation. And a word of advice? If you’re serious about ending ‘a pissing contest’ don’t continue to piss."

Kapow! Kapow! (my edited version)

And that's all the links to keep you busy for today. Till further development, I'll leave you with the inevitable Har Ho Spoof:

Small Beer Press/Horizon Imprint (YOU MUST VISIT!)

Next? Maybe I'll share with you my experience with Scam/Vanity Publishers when I was a newly beginning writer hoping to be published.

Happy reading!

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