I've been talking to a few author buddies lately about the general state of publishing, especially in the romantic suspense genre. The news is rather mixed but the consensus is that romantic suspense, as one of them put it, is "no longer the darling it once was."
A few of my friends who are quite big names don't even get distributed at most Walmarts any more. Remember in 2007, that was the beginning of the Walmart Wave of cutting off midlist and only stocking NYT bestsellers. Well, it has come to the point that some very well-known names are being cut off. Most of the NYT newer bestsellers are in the paranormal and urban fantasy genres, so a few of these good friends are considering changing their genre. Yes, some of you might call it "jumping on the bandwagon," but for them, it is their paycheck and some of them are the main breadwinner for their families.
I was quite surprised at a few of the series that aren't being renewed. These are by authors who have been writing for ten, fifteen years, and so have readers who faithfully buy their books. But it seems that this isn't enough any more. I don't know, since I haven't been in the New York school of thought these last few years.
Changing names hasn't helped at least one of my buddies; her numbers tanked in spite of online buzz. There are just fewer physical bookstores out there. So, for a couple of them, the solution is to work harder with online recognition.
My RS for Samhain sold reasonably well in the electronic market. One author friend, a higher midlister, confided that her e-book sales are "killing it," so that's good news. But another, who had a pretty big contract from her publishing house, said numbers were down and she wasn't looking forward to the next round of contract talks. The one who had her series canceled is now back to writing categories (series romance/Harlequin) of a different genre. The other one, a fellow Golden Heart winner, someone whose works I really enjoy, has turned to epublishing and is now getting ready a really kickass urban fantasy for submission.
There was certainly a glut of romantic suspense authors about five to seven years ago. I remember feeling some frustration that some of the stories had very little romance in them and were being categorized as RS. And many of the huge names were changing genres, from historical to RS, and going hardcover. Their transitions weren't universally smooth, but most of them generally did well, making the NYT and USAtoday lists.
If you looked at the last four years, there were a few big names that started writing paranormal romance and following the pattern, there are now tons of books out in the paranormal/urban fantasy genres. I'm not sure whether readership for RS has been waning, but certainly the economic Depression of 2008 onwards also contributed to dismal sales of books for publishing. Books, once affordable, are being sold at $8.99 (this from $4.99$5.99 during my year I got pubbed), and people, slashing their budgets, cut back on book-buying.
Of course, this is just information gleaned from a few conversations with a few friends. There are no facts to support our thoughts and conclusions; we can only view our publishing world through our royalty statements and contract renewals. But I do feel that romantic suspense, although not disappearing, has been definitely getting fewer slots and less attention since 2007. Even my bookseller friend, who is not an online person and rarely venture into ebook territory, complained that she couldn't think of any new authors to recommend to her customers; most of the books in catalogues are by the big names who have one hardcover out a year. The midlisters are disappearing, she told me.
I take her comments to heart. You'll always get the main stars, like the fantastic Cherry Adair and Cindy Gerard, at the main booksellers. There will be some great reads ahead, but I feel that, for my other friends, the ones I'm not naming, we're preparing to change and to expect changes. Ebooks will play a big part because sales have been rising (the main positive thing about the publishing business nowadats) but with that, authors have to focus more on online promotion as well as small used-and-new bookstores.
Why the latter? Because those owners, like my bookseller friend, know their customers and they often recommend back lists and sell new books of midlisters. I know many online are saying they don't even buy paperbacks any more and the future is in ebooks, but there are still at least two generation of readers out there who aren't brought up techy/gadget-happy. They like reading the way they've been for decades and many are unaware of online groups or discussions because frankly, they aren't into that.
The online community is a powerful aspect of marketing books and authors, of course. My friends think that in many ways, it's both easier and more difficult for the writer. On one hand, there are literally thousands of new writers (self-published, e-published, etc.) online, a multitude of voices trying to be heard, and many new authors have a hard time getting noticed. The authors I spoke to don't necessary have this problem. They have readers who find them online and social media like Twitter and Facebook are very helpful (depending on who's talking, LOL, since a couple think they really cut into their writing time). However, it is still a problem to reach new readers; everywhere we turn, we're reading that readers are hesitant to try new works not recommended by other readers, mainly because of higher price and inability to browse.
My author buddies also note that many online reviewers are favoring historicals and paranormal/urban fantasies. Additionally, there is a growing readership for Young Adult paranormals/UF and younger readers are avid online visitors. They are the next generation of readers that my friends have to learn to tap into. Thus, writing in another genre is another option but a few of them feel it's just not their style. We tossed ideas around and wonder what's in store for us in 2011 and beyond.
In conclusion, my writing buddies, some of whom I've known for a decade or more, with quite a number of books published, are worried and getting ready for changes. At least one of them is getting her nursing license reinstated. Another is even thinking of retirement. Yet another is having fun writing another genre. As for me, I'm a little off-the-road at the moment, since I was the first one to feel the Walmart and numbers pain, but I've been talking about change for years now. My friends are just realizing it.
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